inception ending scene

The thought of one of the characters killing off the other is rather negative. One set is for the visual appearance i.e. In his dreams you don’t see his father and you can hear his mother. I can’t understand…, this only my opinion. The ending scene of Inception leaves us with a spinning top making us wonder if it was all a dream or reality. Anything about Cobb planting something on his mind? The entire film was commenting on perception vs reality thus it would be fitting that this ending leaves the audience in doubt of their perception. If he truly did not care then he would have never even spun the totem. Was the top still spinning? They can’t know if anything’s real anymore and neither can you. Look at it this way. That is your reality… since there was no mention of time elapsed, you can only assume. I’ve watched things very, very carefully, and I’m sure it was going to fall over. At the end of the mision, right before waking up in the plane, the film shows scenes with the other characters WITHOUT Cobb in it, having a short conversation(the scene where they get out of the car and water). So, it’s not that I don’t think you could make an argument either way, as I do have an opinion as to whether or not he’s still in a dream, but unless you are assuming that the story should be taken in a certain direction, it’s relatively moot to argue it. There’s no mention of how long Cobb’s been away, the kids actually don’t look the same in the end and there’s no proof that the kid on the phone is older than she is in the movie scenes. You’d need to really feel it, understand it. “Mr Saito” is just a co-traveller. I am of the opinion that it is Cobb’s memory and that he is in limbo because the angle which he sees the kids is pretty much the same, if not identical to shots of his kids in his memory. There is the secondary fact that the children appear to be the same age as they were in his memory. He has “incepted” your minds with wether the totem spins or falls! The cop may be really ragged and we have an aversion to the character because they seem like they are willing to sacrifice anything and anyone to catch the bad guy. and you need an achitect to “build” a dream and the details of the dream have to be built around someone’s interpretation of reality. That means that the entire mission is real, and not a projection of Cobb’s own mind. Remember how it looked like in Mal’s safe? the first set was only used to appear in the movie, but not necessarily talk. If I’m not in it, it’s a dream.’. I believe that Cobb’s wedding band, which he wears only sometimes, has a significant part in the plot. That always felt the right ending to me.”, The real point of the scene, he explains, is that Cobb is looking at his kids and not the top. He would never choose to stay in a dream and with his totem spinning in the dining room he would eventually have to see it and thus know his current state. Perhaps Cobb was dreaming the entire movie. The rest of your analysis looks great, though. I watched it twice to prove my theory. Here is my theory: – Yusuf “the chemist” in the warehouse says Cobb has been in Limbo before – Yusuf goes on to say there is no escape from Limbo especially not killing oneself – Cobb stops Eames from shooting Saito because even at the second level of dreaming you cannot kill yourself and wake up – In that same scene Authur says the deeper we go into the dream the deeper we go into Cobb – Now Cobb claims that he and Mal let the train run over their heads and they woke up in the real world. In the movie, Saito dies in the 3rd level. Create your own unique website with customizable templates. [Afterthoughts] Mr Cobb may just live a boring life and has or have had issues with his wife. ‘From then on, when I thought, you get to 70-75, and you think it’s all over, then made seven of the best movies I was ever in.’. But Sir Michael – who starred as Cobb’s mentor Stephen Miles – appeared at a Film4 screening in 2018, and spilled the beans on the ending. ), On Totems A Totem is an object that is used to test if oneself is in one’s own reality (dream or non-dream) and not in another person’s dream. the totem is mal’s, not cobb’s. Then, right before it cuts to black, it dramatically wobbles. The easiest explanation is that the first scene on the beach was that it was out of context and was a “future” which we then went back in the timeline from to build up the context. He looks up and sees them in the same exact position as all of his projections are. Or we may find out that the “bad guy” is really not bad at all, and the original perception was not only partly correct, but the aversion has been magnified greatly. If so, why is he spinning his top at the end? This technique is used a lot in stories where the author wants you to know that something is happening, and then percieve and make judgements based on the little bit of information provided, but knowing that that perception will change when the context is filled in. cause he took it from maud, who dreamed it up, when they were together, causing her to percive the dream she was in as reality, since she has the totem. If you look in the credits and on imdb.com there are two sets of kids and the two in the end are older….so he has to be in real life right…. Finaly if the level where they seam to come from is a dream why does Mal never appear as logically she should appear at that level at least once since she died which would show him that what he believes is wrong. We never actualy see cobbs children untill the end so what we see in the dreams are images drawn up from photos of them that he has seen more recently and has subconsciously replaced in his dream. In that case it would not matter if Mal had also touched the totem because she was dead and they weren’t inside of her mind in any of these stages. No, you are missing too many key elements in the movie for this to be correct. When he spins the top at the end, it goes around in circles before spinning in one spot. Actually they are different kids wearing different clothes, according to the credits and the wardrobe person on set. Like, say, in a movie about a cop starting in the middle of the final chase scene. [In the movie] During his dream on the airplane, he uses the faces of airport staff and travellers to create an exciting environment. Everytime he spun the top throughout the movie, the top would immediately spin in one spot, save those times he was awake. She then tried to get them both to kill themselves to return to the real world, but Cobb wouldn’t.

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