It worked because everyone knew each other, and were hanging out before there was a band. And even years before the Beatles played on “Ed Sullivan,” your aunt took you to a movie set, where you saw Elvis. 1964 Fender Stratocaster By 1995, Weller was in the midst of a career resurgence and Britpop was ascendant. If I’m showing the band a new song, it’s based on rhythm guitar, and they fill in around that. Considering it came from the ashes of the aborted Lifehouse project, it’s a remarkable accomplishment. I still use mine in the show. What could be simpler? I kind of keyed on the last big tour thing…. We may not have the songs or the hits, but there is a purity in a room with a band that’s got a sound and is playing to a small group, and it’s all happening in this little room – to me, that is where rock n’ roll is still alive. What was it like, standing in a room playing alongside those guys? So I’d like the opportunity to live a somewhat normal life for a while; our life has really been either on the road or in the studio, and very little else. Well, I thought it was kind of a strange call, but interesting. Post was not sent - check your email addresses! So Tom began writing songs and taking leadership of the band – thank God – because nobody else had much direction at the time. Are you on the lookout for anything in particular? Maybe you already do. When I heard the solo back then, I laughed! In terms of bass players in the Heartbreakers, is there a way to compare and contrast the styles of Ron Blair and Howie Epstein? All those albums probably had a whole bunch of guitar licks or guitar parts that jumped out at you? Those days are kind of gone now, but still, collecting guitars is about loving the sound and liking instruments, you know? Unauthorized replication or use is strictly prohibited. And now if I see something that’s really special, I buy it just because I don’t want it to be lost to the sands of time, or be put behind glass or something. I don’t think you need more than one. Not only has Campbell co-written some of the band’s most enduring songs, like his hero (George Harrison), he’s consistently delivered guitar parts that are instantly recognizable and tuneful over more than 30 years as the Heartbreakers’ co-captain. I told her that I’d seen this guitar, but couldn’t afford to get it, and she said, “Yeah, I’ll buy it for you. Chances are you know the song by heart. I think they would be a really good Telecaster, and definitely the semi-hollow Rick 12, and… gee, I don’t know… I’d probably take a Strat and a good Gretsch. I think I was 16. I can’t really remember all of them, but there was a variety of instruments. So sometimes you pick one up and it feels friendly, and sometimes it doesn’t. The acoustics were all Martins – the Tom Petty signature models – which we had just got. I like Vox guitars a lot. I think it’s a Supro, but don’t know the model – it was just some weird-looking thing [laughs]. But here, in 18 cathartic minutes, Hendrix lays claim to the past, the present and the future of the electric guitar. If the Heartbreakers are tracking, and all playing at the same time and trying to get a performance on the song – a live performance – and there’s a call for a guitar solo, I like to try to get it within the performance of the band or at least get the essence of it. It’s hard, there’s just so many great guitarists from that era, it’s just hard to narrow them down to who your favorites are, but George is definitely one of mine. The 'woman' tone is as much in Clapton’s hands and attack as anything else, and this track is the perfect example of how hard it is to replicate. I love playing with them – they’re the best rock and roll band there is, I think. My dad was in the Air Force, and he was leaning on me to sign up so I could make some choices of where I might be deployed. Just listen to the band’s cover of the Who’s Disguises and you’ll get the idea. We recently caught up with Petty and Heartbreakers guitarist Mike Campbell, with whom Petty has been working since the earliest days of the band. We can do that too, and nowadays we will stretch out a few things, but anytime that it starts to drift away from the song, we kind of lose interest. /* Add your own Mailchimp form style overrides in your site stylesheet or in this style block. And all of those Beatles records always have beautiful solos, with good tone and not much noodling; every note serves a purpose to the song, not to the players. Mike was pretty happy with the dot-neck Gibson ES-335 he picked up…, Yeah, I have one, too – I think I have the only black one ever made. One guy had a Gibson, one guy had a Fender, so you’d learn the differences and how to use them. And the song I gave to Rick and Mick, which was “You Wreck Me,” was the same one Tom had forgotten about. And we’ve gone full circle back to using them again. I tend to gravitate toward the stuff that I grew up with – the Beatles, Stones, Beach Boys, Jimmy Page, Eric Clapton, Mike Bloomfield… That’s my era. When’s the last time you couldn’t get a guitar that you wanted because you just didn’t have the cash handy? We’ve been on the road four years in a row. It’s the sound of an SG through a Marshall stack, unadorned by effects. The most memorable guitar tones don't scream out for attention; instead, they pull at the melody and cut across the bed created by the rhythm section without being too showy, abrasive or predictable. But I love ’em, ya’ know? My approach to guitar, I think, is probably a lot like his in terms of fitting into the song and not overplaying. Maybe you can too. Those were the only acoustics we used, and they sound beautiful. He’s a lot of fun to play with. So every lead on those first two records is probably that Broadcaster? I like both of those guys a lot. With over 20 guitars at his disposal on a regular basis, there is a lot to work with here. Still, we took the music quite seriously. So finally, I just kinda… George was sitting there – and they were being supportive and all – and I said to him, “Listen, you should play guitar on this, because it would just feel better if it had your style on it.” So he said, “Okay, I’ll try something.” So he plugged into my amp and played that solo. While Keith Richards always laid down distinctive and rich acoustic (and even electric) parts that propelled the band, it wasn’t till he teamed up with Taylor for what he always calls their 'ancient art of weaving' that things got really interesting.
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