EDI certificate
[Listening] I think I hear them coming. You may call me a dishonourable wretch if I let it go to auction! The windows of the room are shut. What shall I put on them? [Kisses ANYA and VARYA] I'm a man of the eighties... People don't praise those years much, but I can still say that I've suffered for my beliefs. Make up your mind! During rehearsals, the structure of Act Two was re-written. They've got to collect their luggage and so on. So you see, we'll have three irons in the fire, and we'll be safe. The Cherry Orchard study guide contains a biography of Anton Chekhov, a complete e-text, quiz questions, major themes, characters, and a full summary and analysis. [Brushing GAEV'S trousers; in an insistent tone] You've put on the wrong trousers again.
LUBOV. CONTENTS: On the high road.--The proposal.-The wedding.--The bear.--A tragedian in spite of himself.--The anniversary.--The three sisters.--The cherry orchard. You dress just like a lady, and you do your hair like one too. He's madly in love with me. Did you eat frogs? [Puts some sugar-candy into his mouth] I swear on my honour, on anything you will, that the estate will not be sold! GAEV. How strange it seems! [To DUNYASHA, severely] You!
Thank you, Fiers. And on Thursday, when I was at the District Court... GAEV: My darling! I'm cold all over. ANYA: [Sadly] Mother bought it. [Exit.]. He wears an old-fashioned livery and a tall hat. It's the will of God. LUBOV.
LUBOV.
She's asleep, asleep. What? My darling's come back, my pretty one's come back! Well, children, bye-bye...!
LUBOV: There's nobody there; I thought I saw somebody. There they are, right enough. I'm quieter now. What time is it now?
These financial and domestic upheavals … Privacy | Terms of Service, Endpaper from Journeys Through Bookland, Charles Sylvester, 1922. ... She's a good sort--an easy, simple person. We're used to that. ], VARYA. The train's arrived, thank God. She's asleep, asleep. GAEV: All right, I'll be quiet.
LO: So how late was the train, then?
[Kisses her hand warmly] I was told to wait till the morning, but I didn't have the patience. They've forgotten. The starlings are singing! VARYA: [To YASHA] Your mother's come from the village; she's been sitting in the servants' room since yesterday, and wants to see you... YASHA: A lot of use there is in her coming. But let's talk business. Today the historic parts of the city are recognized as a World Heritage Site.
[DUNYASHA has already returned with the coffee-pot and is making the coffee, VARYA stands near the door] I go about all day, looking after the house, and I think all the time, if only you could marry a rich man, then I'd be happy and would go away somewhere by myself, then to Kiev... to Moscow, and so on, from one holy place to another. I should be very glad. GAEV: [Opens the other window] The whole garden's white.
The windows of the room are shut. [Astonished] A hundred years. I suddenly became very sorry for mother--so sorry that I took her head in my arms and hugged her and wouldn't let her go. The Question and Answer section for The Cherry Orchard is a great DUNYASHA: He sleeps in the bath-house, he lives there. [Takes the pills, turns them out into the palm of his hand, blows on them, puts them into his mouth, and drinks some kvass] There!
[Picks out a key and noisily unlocks an antique cupboard] Here they are. LUBOV: [Laughs] You're just the same as ever, Varya. TROFIMOV. The purpose of these short exclamations, here translated as “Who does?”, are meant to illustrate Gaev’s character: he is older, doesn’t listen to others, and often fantasizes about playing pool rather than focus on the reality of the situation. The play opened on 17 January 1904, the director's birthday, at the Moscow Art Theatre under the direction of the actor-director Konstantin Stanislavski.
LOPAKHIN.
I am speaking so loudly, making such a noise... Well, Peter? GAEV. The only remarkable thing about the orchard is that it's very large. ], [Enter LUBOV ANDREYEVNA, GAEV, LOPAKHIN, and SIMEONOV-PISCHIN, the latter in a long jacket of thin cloth and loose trousers. [To LUBOV ANDREYEVNA] Your rooms, the white one and the violet one, are just as they used to be, mother. [Through her tears] I've broken a saucer.
To speak the honest truth ... he's a worthy man. [Covers her face with her hands] But suppose I'm dreaming! DUNYASHA. VARYA. They've got to collect their luggage and so on... [Pause], Lubov Andreyevna has been living abroad for five years; I don't know what she'll be like now... She's a good sort--an easy, simple person. ANYA: I went away in Holy Week; it was very cold then. [ANYA gives her hand to LOPAKHIN and PISCHIN and goes out, shutting the door behind her.]. Why did you tie Charlotta on to me? [Embraces him] I'm happy now! DUNYASHA: I hardly knew you, Yasha. GAEV, coming in, moves his arms and body about as if he is playing billiards.]. [Kisses her.]. ANYA. The noun “lorgnette” refers to a pair of glasses held in from of one’s eyes using a handle.
ANYA. LOPAKHIN. My pretty one is back again! ... [ANYA appears in the doorway] She not only married a man who was not a noble, but she behaved herself in a way which cannot be described as proper. FIERS goes out after him. She screams and drops a saucer. ... [Weeps with joy. [Grins] You are just the same as ever, Leonid Andreyevitch. The road is seen to GAEV'S estate. [Takes her hand away] If you let people kiss your hand, then they'll want your elbow, then your shoulder, and then ... LOPAKHIN. ... Go to bed now. LOPAKHIN: Up to now in the villages there were only the gentry and the labourers, and now the people who live in villas have arrived. He's madly in love with me. Here's my hand. Only I do wish you would believe in me as you once did, that your wonderful, touching eyes would look at me as they did before. [Kisses her hand] Glad to be at home? Think about it seriously. Please attend carefully! Good-night, mother.
Here's my hand. And only just now I made a speech before a bookcase ... it's so silly! ... [They go. [Sits down.
LUBOV. [Two carriages are heard driving up to the house. [Puts some sugar-candy into his mouth] I swear on my honour, on anything you will, that the estate will not be sold! GAEV. LUBOV: I don't understand you at all, Ermolai Alexeyevitch. I may confess to you, Ermolai Alexeyevitch, that Epikhodov has proposed to me. FIERS. [Follows her] Yes, we've got to go to bed.
My hands are quite numb. My sister, in the first place, married an advocate, not a noble... [ANYA appears in the doorway] She not only married a man who was not a noble, but she behaved herself in a way which cannot be described as proper. What's the time? "Don't wake him," she said. LUBOV. It is close on sunrise. Charlotta talked the whole way and would go on performing her tricks.
In this way, past memories serve as a refuge for him when the present becomes too unpleasant to deal with. Well, then, Leonid will give it to you. [Joyfully] The mistress is home again. [Opens the other window] The whole garden's white. A noise begins in the next room. [Exit.]. That case was made exactly a hundred years ago. ...Oh, if I could only get to sleep! So I call Evstigney... [Yawns] He comes.
[Jumps up and walks about in great excitement] I'll never survive this happiness. LOPAKHIN and DUNYASHA quickly go out. ... [Pause] If there's any illness for which people offer many remedies, you may be sure that particular illness is incurable, I think. Lubov Andreyevna, as I remember her now, was still young, and very thin, and she took me to the washstand here in this very room, the nursery. I should be very glad. GAEV: Snob. And something else will happen to-day or to-morrow. I'm going, I'm going. The starlings are singing! You go away, Fiers. Peter Sergeyevitch came two days ago. And I knew Dunyasha. VARYA. Patchouli is a scented oil that smells strongly of mint. [All laugh] Show us a trick, Charlotta Ivanovna! FIERS.
And the air! Dashenka may win 20,000 roubles... she's got a lottery ticket.
LOPAKHIN. VARYA. LOPAKHIN.
LOPAKHIN: There they are, right enough. LO: The train’s come. He is saying something to himself, but not a word of it can be made out. Look, little mother: what lovely trees! [Snores, but wakes up again at once] But still, dear madam, if you could lend me ... 240 roubles ... to pay the interest on my mortgage to-morrow ... VARYA. DUNYASHA. Yes, yes. It is May. All right, I'll be quiet. Oh, my orchard! Still, I beg pardon... Varya's going to marry him, he's Varya's young man. LUBOV. Time you went to sleep, darling. Lopakhin provides both the family’s and the play’s ticking clock: they must figure out how to pay their debts or they lose their estate.
GAEV. There is an early frost. DUNYASHA: [Excited] I shall faint in a minute... Oh, I'm fainting! Lines such as this serve to demonstrate how each character lives in their own (sometimes bizarre) worlds, largely separate from one another. He's a nice young man, but every now and again, when he begins talking, you can't understand a word he's saying. TROFIMOV crosses the stage and stops on seeing VARYA and ANYA] Sh! My pretty one is back again!
At present he sits on his balcony and drinks tea, but it may well come to pass that he'll begin to cultivate his patch of land, and then your cherry orchard will be happy, rich, splendid... VARYA: There are two telegrams for you, little mother.
EPIKHODOV. If there's anything interesting or remarkable in the whole province, it's this cherry orchard of ours. The peasants don't love me for nothing, I assure you. Yes. with an introduction by Julius West. I swear there's no other way out, I'll swear it again.
... And you've grown older, Leonid. How much was the train late? PISCHIN.
And something else will happen to-day or to-morrow. LOPAKHIN: Your brother, Leonid Andreyevitch, says I'm a snob, a usurer, but that is absolutely nothing to me. FIERS. CHARLOTTA. You're as fine-looking as ever. The cherry-trees are in flower but it is chilly in the garden. LUBOV. What's made you look so bad? ANYA. ... VARYA. You go away, Fiers. A noise begins in the next room. Don't care if I die now. [Gives the bouquet to DUNYASHA.].
FIERS. I congratulate you. Think about it seriously. I'm certain. Charlotta talked the whole way and would go on performing her tricks. DUNYASHA: I don't know what to do about it. I've nothing at all.
VARYA: [In the doorway: In an angry voice] What's that? Why do you keep on waiting? ], CHARLOTTA: [Takes her hand away] If you let people kiss your hand, then they'll want your elbow, then your shoulder, and then——. [Goes to the coffee-pot, nervously] The mistress is going to have some food here. LOPAKHIN: How much was the train late? GAEV. He loves me, he loves me so much! [Looks at his watch] If we can't think of anything and don't make up our minds to anything, then on August 22, both the cherry orchard and the whole estate will be up for auction. The Cherry Orchard E-Text contains the full text of The Cherry Orchard. [Goes into ANYA'S room] Splendid!
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